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The origin story of Netflix’s new film “What took place To Monday” is, to place it politely, perplexing. Norwegian director Tommy Wirkola pitched the script to manufacturers after finding curiosity about its futuristic world, that he felt had been similar to “Looper” and “Blade Runner:” “sci-fi films with a small budget — however with a very cool high-concept concept.”
What’s perplexing would be the fact that Wirkola was able to patch together a “high-concept idea” through the haphazard sequence of dystopian tropes which makes up the movie.
What’s uncomfortably evident could be the budget that is limited “What took place to Monday” almost has most of the makings of a cult-status B-movie, with cartoonish figures, campy discussion and lots of gore. But in using it self therefore really, the movie fails in its effort at intellectually stimulating or satisfying technology fiction.
“What took place To Monday” starts up with a few soundbites from news programs, making little to your imagination because it lists out options that come with its dystopian landscape. The government has established a strict one-child policy to combat mankind’s burden of vast overpopulation. Extra kids are delivered into a“Cryosleep that is forced” so they really may supposedly awaken in a global rid of all of the its problems.
One murky afternoon, Terrence Settman (Willem Dafoe), breaking the one-child policy, hides his newborn septuplet granddaughters away in a tiny apartment after the loss of their mom. He shows them to embrace their specific identities in personal, while inhabiting the identity that is singular of Settman” call at public at the time for the week based on their names. Thirty years later on, “Karen” (Noomi Rapace) holds a higher place in the economic sphere, while Monday, Tuesday therefore the gang keep their personal existences a secret.